Navigation
|
Under these circumstances, one might assume that Sci Fi was
intentionally trying to bury the show, particularly when one considers
that the mid-season cliffhanger episode was touted in advertisements as
the season finale. (Less observant viewers might have read that
as the close of the fourth of the promised five seasons; whether Sci Fi
actually intended the announcement as a willful deception has yet to be
proven.) There have been several rumors to that effect, flitting
around the Web. Some people speculate that Sci Fi is seeking to
neutralize a clause in a contract that would allow the showís producers
to opt for syndication after one hundred episodes have been
completed. Others are of the opinion that the cancellation was
ordered by USA/Vivendi’s top brass; according to scuttlebutt, Barry
Diller, the president of USA Network, hates space shows. Still
others view Henson owner EM.TV as the culprit, citing its current
financial woes and alleged accounting malfeasance as having driven up
the production costs for Farscape beyond Sci Fiís asking price.
Few if any have yet inquired about Hallmark Entertainment’s role in the
decision to cancel the fifth season.
But the show itself, from the perspective of a novice
viewer, could be viewed as its own worst enemy. Its initial
season took some time before the writers truly found a coherent voice
for the show; the earliest episodes had a certain slapdash quality
reminiscent of the lower-quality SF television shows filmed in
Canada. This may have turned off some viewers (such as myself)
early on. Once it found its niche, however, Farscape developed a
far more cohesive throughline; but this very strong attribute of the
show may also be its most prominent weakness. The cumulative,
complex storyline has grown to a point where new viewers have found it
nearly impossible to follow, and the current lack of rerun support by
Sci Fi only compounds their frustration. And unfortunately, gaining new viewers is the key to keeping the show alive.
**************************
The rally has gone well, [although] to say it has gone
well depends largely upon one’s perspective. It seems that, in
the hustle to prepare for our meeting at the park, no one has
remembered to contact Chicago’s key news outlets. No contact was
made to Tribune Broadcasting, home of WGN-TV and the CLTV News
station. Inconclusive contacts were made with a couple of area
radio stations. No media outfit has come to greet us at the top
of our grassy hill, and the sun is beginning to set on the rally.
News will come later from Atlanta that their Fifth of
Farscape rally went very well. The Atlanta-area Scapers' march to
CNN headquarters, which was partly organized by dark-fantasy author
Caitlin R. Kiernan, garnered a small but vital amount of media
attention. Cast members Gigi Edgley [sic], Paul Goddard, and Lani
Tupu had been flown in from Australia, participated in pre-and
post-rally activities, and by all reports had a wonderful time
connecting with fans.
The other rallies are
reporting successes as well, but in vague terms. The online
petitions have seen some activity, including one or two sites where
fans have pledged monetary contributions to defray the cost of a new
season (reminiscent of funding drives for public television). The
Boston Scapers spread their message quickly when they approach crowds
at downtown movie theatres. A Scaper from Honolulu claims to know
someone with a Neilsen box (but this is more than likely
folderol). New York and Washington, D. C. report major
successes. The rallies are not limited to America, either -- Scapers
report on their rallies in such far-flung cities as Barcelona, Sydney,
London, and Toronto. A surprise comes when itís learned that a
rally was held by several fans stationed at the 82nd Airborne outpost
in Bagram, Afghanistan.
By these standards,
Chicago has not done quite as well but we have managed to pull several
elements of our campaign together. Our rally turned into a group
discussion of what our focus should be, how to pursue our goals, what
targets to aim for and methods to employ. A Scaper named Jeff has
already set up a Web site for our group, featuring information about
the Chicago-area fansí activities and the show itself. The end
result is that our small group, which by the end of the day has swollen
to thirty-eight members, has resolved to push forward and continue
spreading our message. And this makes everyone on the hill feel
that weíve accomplished something worthwhile.
But despite the successes of the day, despite meeting fellow
fans and organizing our efforts, we have made some errors. And
weíve failed to attract the attention of the local news mediaóa major
goal of ours from the beginning. I leave the park with a gnawing
feeling that the Chicago leg of our shared journey is off to a rocky
start.
As if to drive the point home, the following Monday sees
Bill Amend's comic strip "Fox Trot" mentioning Farscape in its daily
run in newspapers across the country.
This day's strip focuses on the efforts of the Fox family's youngest
son, Jason, asking his father to sign a petition to protest the cancellation.
"What's 'Farscape'?" is the father's response.
We have some distance yet to cover.
Previous Page
Top of Page
Next Page
|

The
ChicagoScapers' first meeting on "the grassy knoll" at a park in
suburban Chicago. The group is getting to know each other.
 The ChicagoScapers discuss their future. The author of this article is seated in the foreground, with his back to us.
|